Suspend Your Disbelief

Posts Tagged ‘lit and art’

Shop Talk |

NPR's Three-Minute Fiction Contest

by Celeste Ng

NPR has just announced its third Three-Minute Fiction Contest. This year, the judge will be writer and critic Alan Cheuse. The challenge? Write a story about this photo that can be read out loud in under three minutes–that’s about 600 words. Cheuse compares a good short story to a lyric poem — both forms pack the biggest emotional punch and the most information into the smallest possible space. “It’s a love affair, rather than a marriage,” he says. “Or maybe even a one-night stand compared to a love affair.” He’ll be looking for entertainment as well as emotion in the […]


Shop Talk |

By Its Cover: A Book Cover Contest

by Celeste Ng

Did our last post on book covers convince you that cover design makes a difference? Want to try your hand at it? Design blog Venus febriculosa is running a book cover design contest for Umberto Eco’s The Name of the Rose. The deadline is February 26, 2010, and the winner gets $1000. More information on the contest is here. And for further inspiration, check out the stunning entries and winners for the last book cover contest: Nabokov’s Lolita. My favorite is the one with the scrunchie–how about you?


Reviews |

We Are the Friction: Illustration vs. Short Fiction (edited by Sing Statistics)

by Lee Thomas

Even the idea itself is intriguing: pair twelve international illustrators and short fiction writers, press go, see what happens. The slim, wonderfully designed collection We Are the Friction sets the stage for unexpected relationships. Following their 2008 collaboration, I Am the Friction, the masterminds behind the concept are designer Jez Burrows and illustrator Lizzy Stewart, who together form Sing Statistics. Both Burrows and Stewart are based in Edinburgh, but the two-dozen writers and illustrators in this anthology reside across the globe – from Toronto to Kansas City to Barcelona. The cover promises a veritable garden of earthly delights: “5 Giant Animals, 63 Expletives, 6 Instances of the Ocean,” and “1 Sentient Muffin” among them. Let’s begin with that muffin.


Shop Talk |

Significant Objects

by Celeste Ng

Does having a history makes an object more valuable? Part writing project, part community art, part economic study, the Significant Objects project intends to find out. The project asks writers to invent a story for a thrift-store object–each costing just a few dollars–and then posts the object on eBay, with the fictional story as its description. Past contributors have included Aimee Bender on a seahorse cigarette lighter (final price: $36); Colson Whitehead on a wooden mallet ($71), and Matt Klam on a duck-shaped vase ($15.50). Curtis Sittenfeld’s story about a spotted dog figurine–which bears the motto “Glad I Spotted You!” […]


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scary, scarier, scariest

by Anne Stameshkin

Happy Halloween! If you’re looking for creepy literature or inspiration on All Hallow’s Eve, here are some recommendations (and warnings): – The Baltimore Museum of Art is currently featuring an exhibit of paintings — some by renowned artists like Gauguin and Matisse — inspired by Edgar Allan Poe’s stories. This is only one event in Nevermore, Baltimore’s year-long celebration of Poe throughout 2009 (in January, Poe would have turned 200). Tonight at the Strand Theatre (1823 N. Charles Street), see David Keltz read/perform as Poe, and afterwards, grab a pint at the Annabel Lee Tavern. For a full list of […]


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McSweeney's 33: Litmag Meets News

by Celeste Ng

McSweeney’s next issue will be packaged in the form of an old-fashioned newspaper. The New York Times‘s ArtsBeat reports: McSweeney’s No. 33 is to be in the form of a daily broadsheet — a big, old-fashioned broadsheet. The pages will measure 22 by 15 inches. (Pages of The New York Times, by comparison, are 22 by 11 1/2 inches.) Called San Francisco Panorama, the editors say it is, in large part, homage to an institution that they feel, contrary to conventional wisdom, still has a lot of life in it. Their experience in publishing literary fiction is something of a […]


Shop Talk |

Graphic Classics

by Celeste Ng

Vernerable publisher Penguin has quietly been putting out a series of “Graphic Classics”–classic novels such as Moby Dick and The Three Musketeers with snazzy covers by prominent graphic artists. Over at his blog, illustrator Michael Cho discusses designing the cover for the recent reissue of Don Delillo’s White Noise: The first thing I did, of course, was read the book again. It had been over 10 years since I last read it, so I needed to re-familiarize myself with it. After reading it though this time, I skimmed it again but with an eye toward the major concepts and images. […]


Essays |

Hobbling Up The Magic Mountain

I just read Thomas Mann’s The Magic Mountain. The whole thing. Starting on page one and ending on page 706. The events in the book span seven years, and reading it seemed to take almost as long. When I embarked on this project, I was recovering from orthopedic surgery … Why, then, would I want to read a lengthy book packed with intellectual digressions set in a tuberculosis sanatorium in the Swiss Alps prior to the start of World War II? Hadn’t I been through enough? How about something light, or at least short? A Carol Goodman murder mystery, or something by Nick Hornby? As it turned out, The Magic Mountain was a choice so perfect I’m thinking a copy should be handed out with every pre-admission packet given to surgical patients…


Interviews |

Know Then Thyself: A Conversation with Jeffrey Rotter

by Lee Thomas

Lee Thomas talks to debut novelist Jeffrey Rotter about the social risks of homemade clothing, museums as metaphors, the parallels between As I Lay Dying and reality T.V., and the ways in which imagination can change the world – for good and evil. The title of Rotter’s novel, The Unknown Knowns, alludes to that Donald Rumsfeld speech of linguistic loop-de-loops that would have driven George Orwell crazy; the book, which looks askance at our modern take on “Us vs. Them,” tackles the ontological questions presented by our vague and shadowy paranoia, but ups the ante considerably beyond the present moment in history to the personal crises that drive all good stories.


Shop Talk |

co-muse-ing: We Are the Friction

by Anne Stameshkin

Lee just sent me this link (from DesignSponge) about We Are the Friction, a new book featuring stories by twenty-four authors and illustrations by twenty-four artists. But this is no typical collection: its contributors were paired up specifically to inspire work from each other…to illustrate a writer’s story or put words to an artist’s illustration. This is the second book project from UK-based Sing Statistics‘ co-editors (and contributors) Jez Burrows and Lizzy Stewart, who describe We Are the Friction as “an erratic, eclectic collection of work that takes in space travel, Japanese deities, monster husbandry, and the Marx Brothers. We […]




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